Recognized for presenting an innovative Web3 and RWA-based private-sector diplomacy model.
Image provided by PUNKVISM.
PUNKVISM, an innovative Web3-based real-world asset (RWA) platform company led by CEO Hyunki Hwang, has been selected as a recipient of the 2026 Korea Chamber of Commerce & Industry (KCCI)-Forbes Korea Global Contribution Grand Prize, recognizing the company’s distinctive contributions in the global market.
The recognition reflects PUNKVISM’s achievements in building an original business model that combines blockchain technology with K-content and connects it to the real economy. The company was also recognized for expanding beyond a conventional corporate role and functioning as a private-sector diplomatic channel between countries.
Prior to this recognition, PUNKVISM had already strengthened its global profile, with CEO Hyunki Hwang named among Forbes’ “40 Under 40 Tech Leaders.” The company was also selected by Forbes México as one of the 15 global projects transforming Real World Assets (RWA) in 2025. With this latest Global Contribution Grand Prize, PUNKVISM has further solidified its position as a global innovation company recognized by Forbes.
PUNKVISM has moved beyond the role of a technology company, achieving notable results in building global cooperation infrastructure. The company recently visited the Brazilian Presidential Palace to discuss potential cooperation with officials from the President’s Office. It also officially invited lawmakers from the Brazilian state of Ceará, as well as key figures from the global finance and cultural sectors, to Korea.
During this process, PUNKVISM facilitated connections with major Korean institutions, including Busan Metropolitan City, Seongnam City, and the National Assembly. Through these efforts, the company has been recognized as presenting a new form of private-sector diplomacy that connects Korea with the global community through Web3 technology.
PUNKVISM has also demonstrated strong results through global IP projects that connect content, fandom, and real-world assets. Key examples include the Lost Tesla Art Car, which combines global meme culture with art; the Ronaldinho Show, based on the Brazilian football legend; a collaboration project with singer BIBI; Eternal Moon, a tribute album honoring Michael Jackson; and the global film project DoubleN. Recently, a promotional video for the Lost Tesla Art Car was screened on the main LED display at Legends Game 2026, a large-scale sports event in Poland attended by approximately 10,000 people. This served as a real-world demonstration of offline integration, while Forbes México also spotlighted PUNKVISM as a project contributing to innovation in the RWA market.
PUNKVISM has also worked to strengthen the trust and stability required for real-world asset-based businesses. The company has established cooperation frameworks with Korea Digital Asset (KODA), a leading Korean virtual asset custodian, NAVER Cloud, and AhnLab Blockchain Company (ABC), while also forming a partnership with Korea VAN Service Co., Ltd. (KOVAN). In addition, PUNKVISM has completed legal reviews related to securities and regulatory issues through a top-tier law firm. Its related RWA systems have also been filed and registered as technology patents, helping the company build a strong barrier to entry.
Based on this foundation, PUNKVISM has launched an RWA project linked to four food and beverage stores inside N SEOUL TOWER. By installing a large-scale PunkyKongz sculpture on-site, the company is connecting offline visitor traffic to its digital ecosystem. PUNKVISM is also expanding into lifestyle-connected projects, including smart city development in Indonesia and initiatives linked to Fairmont Ambassador Seoul.
Hyunki Hwang, CEO of PUNKVISM, said, “The essence of Web3 lies in a structure where users directly participate and create value. Through various global IP projects such as the Lost Tesla Art Car and the Ronaldinho Show, PUNKVISM will continue to connect Korea’s outstanding content and real-world assets with the global market.”
